One of my stops during Doors Open Toronto this year was on the campus of the University of Toronto. I did not attend university here, so I look for opportunities to acquaint myself with some of the facilities at this downtown campus.
Hart House is a grand old institutional building designed in the Collegiate Gothic style. It was commissioned by the Massey family and gifted to the University of Toronto by the Massey Foundation. The building was named by Vincent Massey – who later became Governor General of Canada – in honour of his grandfather. Henry Sproatt, along with engineer Ernest Rolph, designed the building, which opened in 1919.
Hart House serves as a gathering space for students, faculty, staff and others who study, work at or visit the campus. There are several facilities housed within the building, including a theatre, a meeting hall, a restaurant, an art gallery, a library and a fitness centre.
The Gothic architecture and stone facade encourage black and white interpretation when taking photographic images of the building. I have included some of my shots below. Although there are no doors in any of these images, this collection is my contribution to Norm Frampton’s Thursday Doors blog for the week of June 13th.
The stained glass window in the chapel was one exception, and deserves a full colour interpretation.
This year marked the 20th anniversary of Doors Open Toronto. The theme for 2019 was “20 Something,” focusing on the event’s past and the future, with an emphasis on Toronto’s youth and Indigenous communities. I chose to begin my Doors Open experience with a guided walking tour of the Riverside community in Toronto, on what turned out to be the better weather day of the May 25-26 weekend.
Riverside is one of the oldest neighbourhoods in Toronto’s East End (formerly East York). It’s backbone is Queen Street East, starting at the Queen Street Viaduct where it crosses the Don River. The Riverside Mural greets eastbound visitors after they cross the bridge. The construction crane looming over the mural is a sign of change that is coming to the neighbourhood.
Our walking tour started across the street from the Riverside Mural at another mural. This mural is titled Tkaranto Past / Tkaranto Future, and it explores Toronto as a meeting place. It represents Indigenous people, who first met, traveled and hunted here; and later, a place where people from around the world have come to live. An appropos starting point in keeping with this year’s theme.
Our next stops were at the Broadview Hotel and the Royal Canadian Curling Club, neither of which I photographed. The Broadview Hotel is likely the most well-known landmark in the area, having been transformed from Jilly’s Strip Club into a boutique hotel with a restaurant, bar and cafe, which reopened in 2017. The Royal Canadian Curling Club started out as the Royal Canadian Cycling Club, but ice sports became more popular. The Royals continues to host major curling championships to this day.
The next stop along Queen St. East was outside Maison Caras, the headquarters and couture fashion house of the internationally renowned CARAS brand. The Stephan Caras building was repurposed from its original use as a branch of the Canadian Bank of Commerce. I was intriqued by the classical facade and the wonderful front door, which is part of my contribution to this week’s Thursday Doors blog, hosted by Norm Frampton.
Further east was my most favourite old building of the day – The Poulton Block. There is an inscription above the second floor that states “Poulton Block, 1885,” which dates back to the original naming and establishment of the Riverside community. The red brick facade includes some rounded, square and pointed arches, and the overall proportions are just lovely.
Near the eastern end of Riverside, before the railway overpass which separates Riverside from Leslieville, I found the Riverside Building. It looks vacant at the moment, but I hope that a new occupant will find a good use for the shop. And please keep the storefront intact!
Our final stop was at another mural. The Pollenator mural was created in 2016, and it also represents some of the area’s past. Beekeeping and wildflower gardens have been a part of the Riverside culture, while clockmaking was the profession of one of the founding members of the Riverside Business Improvement Area. The Riverside BIA was one of the sponsors of this walking tour, as well as the mural.
More information on self-guided tours in East End Toronto can be found in a publication titled the Cultural Loops Guide, produced by the City of Toronto Arts & Culture Services, Economic Development and Culture Division. Check them out at toronto.ca/culture.
I recently discovered this preserved building facade during an exploratory walk in downtown Toronto. The Jenkins Antique and Art Galleries signage was created in full Art Nouveau style, and I am sure that this is a rare example of the preservation of this architectural style in Toronto.
After further investigation, I have found the following historical facts. This building was incorporated into a high-rise condominium known as The Gallery which was opened in 1990. The architects for this development were Kirkor Archiects and Planners. The original building was designated as a Part IV heritage building in 1984, whicch meant that the sign and facade had to be incorporated into the new structure.
The original gallery was designed by Sproatt & Rolph Architects, who designed many well known buildings in Toronto. It dates back to the early 1900’s when it was the primary importer of antique mahogany and rosewood furniture in Toronto. I found the accompanying archival photo of the original building.
Whereas doors are generally associated with entries to a building, or interior walls of buildings, gates are usually associated with exterior walls or fences. Gates can be similar to doors – they are usually hinged, and they may have a latch or opening mechanism. You can usually see through a gate, so you have a better idea of what is on the other side before you get there.
I have selected a few images of gates from the UK as a variation on the theme of doors for my first Thursday Doors post of the new year.
The first gate image is a favourite of mine, as it includes my first name. You can see through the gate and peer into the dark and mysterious Nicholas Wood.
The next two images continue with the theme of gates incorporated into the landscape. The gate at the entry to a public footpath is hinged and has a spring to keep it closed, in order to keep the sheep on the other side of the drystone wall. The second gate stands alone on the edge of a farmer’s field, while the fence has disappeared. I like to think that gates are more important and enduring than fences (or walls), as they allow for the movement of people, thoughts and ideas.
The next two gates are associated with walls. We have heard a lot of talk about walls recently, so I won’t contribute to the hubris. I will simply restate my preference for gates.
The last two gates are associated with final resting places. The graveyard gate provides a vision to a place of burial, as well as to the ocean and the sky beyond.
For many people in the past, this final gate was a one way gate, which subsequently led to a beheading or another form of execution. Many prisoners accused of treason were taken to the Tower of London along the Thames River and through the Traitors’ Gate during the Tudor era in England.
This gate was originally called the Water Gate, when it was built for King Edward I, and these types of gates are now referred to as watergates. Ironic name, isn’t it?
The word “potpourri” originated in the French language, and can be literally translated into English as “putrid pot.” It was used to describe a Spanish stew of various meats. [Source: Merriam-Webster online dictionary.]
More recently, this word has two common meanings. One refers to a mixture of flowers, herbs and spices, usually kept in a bowl or a jar, to create a pleasant scent. The other use of potpourri is to describe a miscellaneous collection or medley of things.
Norm Frampton has suggested that regular contributors to his Thursday Doors blog should consider posting a year-end recap of door discoveries over the past year, in celebration of the end of the year. As my final door post for 2018, I have chosen to feature a potpourri of forgotten doors from around the world that didn’t make it into a previous post. You could also refer to these as my “B-side” doors. For other year-end door contributions, be sure to check out Norm’s Thursday Doors blog for December 20, 2018.
My first door has an A-side and a B-side. The A-side has the address of 10 Adelaide Street East, Toronto (“A” is for Adelaide in this example). This building was opened in 1909 as the headquarters for a financial institution. The doors and the facade reflect the prosperity of the times in Toronto over 100 years ago. Like many cities, Toronto had its big downtown fire in 1904, and this new building was designed to meet stricter fireproofing standards. [Source: Ontario Heritage Trust website.]
Ontario Heritage Centre – A-side
This building is now home to the Ontario Heritage Trust, which has the mandate to identify, protect, promote and conserve Ontario’s heritage in all of its forms. The OHT is trying to preserve Ontario’s Anglophone and Francophone heritage – a mandate that seems to have been half forgotten by Ontario’s new Progressive Conservative government.
Ontario Heritage Centre – B-side
My B-side image was taken from the interior of the Ontario Heritage Centre when it was open to the public during Open Doors Toronto in May 2017. For more of my images from Open Doors Toronto 2017, you can use the following links:
The next four images could have been included in a Doors of the UK series, but I could not find a theme for grouping these with any other doors.
Following these are two more door images that could have been included in my collection of Doors of Southern France. I love these doorways for the elaborate stone work and carvings that surround the doors.
One French door
Two French doors
My original French doors attracted a lot of interest from readers and have received more likes than any of my other blog posts. Here are the links:
My final door image for 2018 is a blue Police Box. This style of police box was used in the UK during much of the 20th Century. The box (usually blue) contains a public phone, but the phone is not inside the box, like you would expect to find in a phone booth. The phone is actually located behind the hinged door on the door on the left. Fans of the UK TV program Dr. Who may recognize this as the TARDIS – which is Dr. Who’s time machine. [Source: Wikipedia – Police box.] This police box is actually located in a small town in Australia. This must be Dr. Who’s actual time machine – how else would you explain its relocation 1000’s of miles to the southern hemisphere?