My contribution to Norm’s Thursday Doors this week is doors with a nautical theme. The door with a porthole is similar to one I included in an earlier post, but it comes from a coastal port in Cornwall, instead of Ireland. Maybe, over time, the porthole got miniaturized to become the peephole that is now a common feature in doors?
I couldn’t help but post a few images in response to Cee’s Which Way Photo Challenge. The opportunities certainly are limitless! A common theme in my selected images is falling or going downhill.
Driving a car in another country can be challenging. Especially when you are driving on the other side of the road, and on narrow roads, such as in the Lake District in NW England. When I first saw the traffic sign in my first image, I had no idea what to make of it. Watch out for low flying motorcycles overhead?
I still haven’t got it all figured out. There’s a hill ahead – got it. There is no red diagonal across the round sign, so it looks like it’s OK to do something, but what is it?
This second image is from Ireland. The message is quite clear – the earth is flat and if you get too close to the edge you will fall off.
I am sure that there is a good reason for placing this sign here. Ireland can be a very foggy place, so if you can’t see very far ahead when you are driving down this road, maybe you would be in danger of falling off the end of the jetty. It probably happened to someone – hence the warning sign.
My third image is taken from a walk along the coastal path in Cornwall. We have done a lot of walking on footpaths in England, but the message on this sign will certainly motivate you to keep on the straight (not usually) and narrow (most of the time).
I hope that you enjoy these photos – please feel free to add your comments and suggestions.
Standing among the standing stones at Stonehenge was an awesome experience. It was a crisp spring morning – frost was still on the ground – and the rising sun shone brightly. People have been celebrating celestial events here for thousands of years, and I felt connected with the spirits of past generations.
From a young age I have always been interested in topical collections. My first memories from childhood include collecting matchbook covers and swizzle sticks. My matchbook covers were usually collected on the streets near home. Swizzle sticks often came from further afield, including vacations with my parents, when we would be served drinks with a swizzle stick for stirring – usually just a Coke for me!
Later on, I started to collect stamps with a common theme. My choice was to collect stamps from around the world that pictured airplanes, which evolved to include rockets and satellites once we entered the space age.
In photography, my first topical collection was based on circles, and I printed many black and white images of circles, which I mounted onto cardstock. Those prints are long gone now. More recently, I have been collecting digital images of front doors during my travels.
Doors can vary in design, size and colour depending where you are in the world. I have included a few images of residential doors that I have discovered and enjoyed in England and Ireland.
It is now time to update my collection of Monochrome Arches with some more recent images shot this year. The first two images are post-Industrial Revolution structures from the latter half of the 1800’s. Built of wrought iron, they are impressive in their scale and engineering. These super-sized frames are way beyond the human scale, but they have other admirable qualities – a vantage point from which to view the world and a shelter from the elements.
Then third image is another addition to my collection of churches. St. James Church is framed by the gated entrance.
All of my images in the Monochrome Arches series are also framed with a white matte – a frame outside of the frame. They are sized to be mounted on a 12×16 inch or 16 square inch board.
Summer solstice – occurring on June 20 this year – is a special day at Stonehenge, which is a World Heritage listed prehistoric site located in Wiltshire, England. The bluestone and sarsen stones, quarried in southern Wales and a more local site, were erected in several stages, beginning around 3000 BC. The stones are aligned at a specific angle that permits the rising sun’s rays to shine into the centre of the monument on one morning of the year – the summer solstice.
The following images were shot on a frosty morning in late April this year. The sky was crystal clear, enabling the full effects of the sun and shadows on the Salisbury Plain.