The following three images are examples of double exposures where I have combined two photos to create one image. They are all taken at various locations in England.
Marble Arch in the centre of London is a popular place for families to gather. Pigeons are always found everywhere in London. Combine a child with pigeons and you get some great action shots.
Lindisfarne Priory was our final stop when we walked the St. Cuthbert’s Way in the north-east of England. St. Cuthbert was responsible for spreading Christianity throughout the region in the 7th Century. St. Cuthbert lived for several years on Holy Island, before he retired to his hermitage on Inner Farne Island. In this image, a modern sculpture of St. Cuthbert is blended with the remains of the priory, which was built several centuries after his death.
Grasmere is a beautiful spot in the Lake District, at any time of the year. The daffodils are out in full bloom in the spring, making for a colourful collage.
I have recently been experimenting with darker tones in black and white photographs. Using images that were shot in broad daylight, I have been processing them with masks and gradients to darken parts of the image. These three images are examples from this processing.
The Rock of Cashel is a popular tourist attraction in Ireland. The proximity of gravestones and the cloudy sky add to the sinister and moody look of the image.
The RC Harris Water Treatment Plant is located in the Beaches area of east Toronto. It is a majestic art deco building that looks much more impressive than its purpose – to process domestic drinking water from nearby Lake Ontario. Water purification is a basic human need, so, perhaps, the “darker” treatment is not in keeping with its altruistic public health goals.
The exterior fire escape is attached to an office building in Victoria. External fire escapes are much more prevalent in other cities, but this is a good example of a simple geometric facade with the fire escape and its shadow dominating one end of the building. Applying a gradient adds some interest to an otherwise monochromatic wall.
When I was involved in silk screen printing over 40 years ago, I always wanted to find ways to reproduce a photograph as a silk screen print (serigraph). There were many limitations in the process, which was very time consuming and required accurate registration of each colour application.
It is now much easier to create images that imitate serigraphs with the use of filters in Photoshop.
In this series, I have used images of stones (carved or free standing) and transformed them into three serigraph prints.