Autumn is upon us, and as the sun sinks lower in the sky, every sunny day becomes more appreciated. The streets of downtown Toronto can get dark as you walk among the office towers, but there are locations where the sun still shines.
It has taken me some time to find a new theme for a post. Last week, I journeyed into the downtown core in search of shafts of sunlight. They are even more appealing today as we are greeted by a wet and soggy morning.
Most of the time I found lots of people also out enjoying the sunshine as they adventured into the day.
The high contrast subject matter was best exhibited in a monochrome interpretation. The hard edges of the shadows created by the architectural elements were softened by the human content.
One of my stops during Doors Open Toronto this year was on the campus of the University of Toronto. I did not attend university here, so I look for opportunities to acquaint myself with some of the facilities at this downtown campus.
Hart House is a grand old institutional building designed in the Collegiate Gothic style. It was commissioned by the Massey family and gifted to the University of Toronto by the Massey Foundation. The building was named by Vincent Massey – who later became Governor General of Canada – in honour of his grandfather. Henry Sproatt, along with engineer Ernest Rolph, designed the building, which opened in 1919.
Hart House serves as a gathering space for students, faculty, staff and others who study, work at or visit the campus. There are several facilities housed within the building, including a theatre, a meeting hall, a restaurant, an art gallery, a library and a fitness centre.
The Gothic architecture and stone facade encourage black and white interpretation when taking photographic images of the building. I have included some of my shots below. Although there are no doors in any of these images, this collection is my contribution to Norm Frampton’s Thursday Doors blog for the week of June 13th.
The stained glass window in the chapel was one exception, and deserves a full colour interpretation.
I have been waiting for an opportunity to post a couple of images that include people and columns. Columns are obviously an essential element in the design of structures. In classical and neo-classical architecture, decorative columns were used to identify the main entry to a building, which was usually raised above street level, requiring steps to reach the entrance. The steps and the spaces beneath and between the columns have become places for people, who are often dwarfed by the scale and immensity of the columns. These are great places for people to gather and people-watch.
This morning I caught a view of some snow flurries in action. I think that I was able to capture a wintry mood in the image that I am posting today in response to Paula’s latest Lost in Translation Thursday’s Special. Adding some extra grain to the snowflakes makes my vision even more wintry.
This week’s WordPress Photo Challenge inspired me to experiment with some “other world” treatment of a recent image. There is a new pedestrian bridge connecting the Eaton Centre with the Hudson’s Bay store in downtown Toronto. The architectural design of the structure has a space-age look, and adding some blurring to the image gives it that final touch.
My “shape” is a unique light fixture found in a downtown office building in Toronto. I titled it light spill because it looks like something that spilled on the floor – except this is looking up, not down.